By S. Bronner
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Additional info for Creossing the Line - Violence, Play and Drama in Naval Equator Traditions
Dell Skeels, ‘Two Psychological Patterns Underlying the Morphologies of Propp and Dundes,’ Southern Folklore Quarterly () . Examples of the animal representation of toads and shellbacks are Aesop’s fable of the race between the hasty hare and the slow tortoise (Aarne-Thompson [AT] A), the over-hasty toad (AT B), and the turtle who tricks a large land animal to throw him into the water (AT ). See Eric Partridge, A Dictionary of Slang and Unconventional English (New York: Macmillan, ) .
See his Structural Anthropology (London: Allen Lane, ) and for a comparison of the paradigmatic and syntagmatic, see Alan Dundes, ‘Structuralism and Folklore,’ Studia Fennica () -. joebattsarm. html. Accessed March , . Royal W. Connell and William P. Mack, Naval Ceremonies, Customs, and Traditions (Annapolis, MD: Naval Institute Press, ), -. ‘USS Fife Sailors Cross the Equator and Become Shellbacks,’ US Southern Command News Release, June , . htm. Accessed March , .
The Navy is supposed to be about obligation, duty, obedience. If the masculinized culture of the Navy has not been restructured, it nonetheless has deflated its traditions of transformation. Historically materialized as a boundary or threshold marking transfiguration, crossing the line is not yet ready to become inconsequential. Variants of the ceremony have become privatized at sea and maintained in student organizations and secret societies in Europe and America, despite the war on hazing in a post-modern age of sen- Hazing of initiate by dumping eggs over his head during Neptunusfeest of Duikteam Medusa, Netherlands, (Photo by Danny Vanderhaeghe) sitivity.