By Robert Browning
Robert Browning (1812 – 1889) was once one of many defining figures of the Victorian age. recognized in his lifetime for his elopement and marriage to Elizabeth Barratt, his serious recognition grew progressively within the years following her early demise. Browning’s mastery of dramatic verse used to be obvious all through his occupation, from such chillingly unforgettable monologues as ‘My final Duchess’ and ‘Porphyria’ to the mature paintings incorporated in his assortment Dramatis Personae. this option, selected via major students, unearths the innovation, complexity and profound mental perception that experience ensured Browning’s enduring attractiveness and his carrying on with entice readers today.
Browning: chosen Poems effects from a very clean appraisal of the canon, textual content and context of the writer’s paintings. The poems are provided within the order in their composition and within the textual content during which they have been first released, giving a special perception into the advance of Browning’s paintings. An advent and chronology provide valuable history fabric, while annotations and headnotes supply information of composition, ebook, assets and modern reception. This authoritative but available choice may still develop into the 1st aspect of reference for student, scholar and common reader alike.
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Extra resources for Browning: Selected Poems (Longman Annotated English Poets)
BlackÂ chimneys,Â giganticÂ inÂ moor-likeÂ wastes, The scowl of the clouded sky retort; TheÂ hearthÂ isÂ aÂ houselessÂ stoneÂ againÂ Ah! where shall the people be sought? SinceÂ theÂ venomÂ suchÂ blastmentÂ deals, The South should have paused, and thrice, EreÂ withÂ heatÂ ofÂ herÂ hateÂ sheÂ hatched The egg with the cockatrice. AÂ pathÂ downÂ theÂ mountainÂ windsÂ toÂ theÂ glade Where the dead of the Moonlight Fight lie low; AÂ handÂ reachesÂ outÂ ofÂ theÂ thin-laidÂ mould As begging help which none can bestow.
B. A. Exhibition, April, 1865. AllÂ feelingÂ heartsÂ mustÂ feelÂ forÂ him Who felt this picture. Presage dim DimÂ inklingsÂ fromÂ theÂ shadowyÂ sphere Fixed him and fascinated here. AÂ demon-cloudÂ likeÂ theÂ mountainÂ one Burst on a spirit as mild AsÂ thisÂ urnedÂ lake,Â theÂ homeÂ ofÂ shades. But Shakspeare's pensive child NeverÂ theÂ linesÂ hadÂ lightlyÂ scanned, Steeped in fable, steeped in fate; TheÂ HamletÂ inÂ hisÂ heartÂ wasÂ 'ware, Such hearts can antedate. NoÂ utterÂ surpriseÂ canÂ comeÂ toÂ him Who reaches Shakspeare's core; ThatÂ whichÂ weÂ seekÂ andÂ shunÂ isÂ thereÂ Man's final lore.
YetÂ fitfullyÂ fromÂ farÂ breaksÂ aÂ mixedÂ surf OfÂ muffledÂ sound,Â theÂ AtheistÂ roarÂ ofÂ riot. Yonder,Â whereÂ parchingÂ SiriusÂ setÂ inÂ drought, BalefullyÂ glaresÂ redÂ ArsonÂ Â thereÂ Â andÂ there. Â AllÂ civilÂ charms AndÂ priestlyÂ spellsÂ whichÂ lateÂ heldÂ heartsÂ inÂ aweÂ Fear-bound,Â subjectedÂ toÂ aÂ betterÂ sway ThanÂ swayÂ ofÂ self;Â theseÂ likeÂ aÂ dreamÂ dissolve, AndÂ manÂ reboundsÂ wholeÂ aeonsÂ backÂ inÂ nature. HailÂ toÂ theÂ lowÂ dullÂ rumble,Â dullÂ andÂ dead, AndÂ ponderousÂ dragÂ thatÂ shakesÂ theÂ wall.