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Additional info for Australian Film Theory and Criticism: Volume 2: Interviews
Trans. Donna Jean Umiker-Soeboek. Berlin: Walter de Gruyter, 1974. Moran, Albert. ” Australian Journal of Screen Theory 3 (1977): 36–46. Making a Television Series: The Bellamy Project. Sydney: Currency Press, 1983. Image and Industry: Australian Television Drama Production. Sydney: Currency Press, 1985. 31 Australian Film Theory and Criticism 2 . Australian Television Drama Series: 1956–1981. Sydney: Australian Film, Television and Radio School, 1986. Projecting Australia: Government Film since 1945.
Bristol, UK: Intellect, 2012. Moran, Albert, Craik, Jennifer, and Bailey, Julie James. (eds). Public Voices, Private Interests: Australia’s Media Policy. Sydney: Allen & Unwin, 1995. Moran, Albert and Keane, Michael. (eds). Television Across Asia: Globalisation, Industry and Formats. London: Curzon, 2004. Moran, Albert and Keane, Michael. (eds). Cultural Adaptation. New York: Routledge, 2010. Moran, Albert and Keating, Chris. Wheel of Fortune: Australian TV Same Shows. Canberra: ScreenSound Australia, Australian Key Centre for Cultural and Media Policy, 2003.
I also have a commitment to complete and publish the Grundy biography, which will be a bit of a return to Australia but with an international perspective. References Alvarado, Manuel and Buscombe, Edward. Hazell: The Making of a TV Series. London: BFI/ Latimer, 1978. Barr, Charles. 1 (Spring 1974): 87–121. 2 (Summer 1974): 129–63. Buscombe, Edward. The Searchers. London: BFI, 2008. Gottlieb, Carl. The Jaws Log. New York: Newmarket Press, 1975. Keane, Michael, Fung, Anthony, and Moran, Albert. New Television: Globalization and the East Asian Imagination.