Download Art Matters: A Critical Commentary on Heidegger’s “The by K. Harries PDF

By K. Harries

In contemporary years there has therefore been loads of speak about a potential dying of artwork. because the identify of Heidegger’s "The starting place of the murals" indicates, the essay demanding situations such speak, simply because it in flip is challenged through such speak, speak that's supported via the present country of the art-world. It used to be Hegel, who so much profoundly argued that the form of our glossy international now not allows us to supply paintings the importance it as soon as possessed. Hegel’s proclamation of the tip of paintings in its maximum feel shadows this remark, because it shadows Heidegger’s essay. Heidegger’s complex flip from the thinker Hegel to the poet Hölderlin is born of the conviction that we mustn't ever enable Hegel to the following have the ultimate. At stake is the way forward for artwork. yet extra importantly, if we're to just accept Heidegger’s argument, at stake is the way forward for humanity. yet all who're wanting to locate in Heidegger’s essay guidelines bearing on the place not only paintings, yet we must always be heading, can be made cautious by way of Heidegger’s politicizing of artwork and aestheticizing of politics. either stay temptations that call for a severe reaction. This observation demonstrates the continuing relevance of Heidegger’s reflections.

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Extra resources for Art Matters: A Critical Commentary on Heidegger’s “The Origin of the Work of Art”

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Already in Being and Time Heidegger therefore insists that resoluteness does not mean a leave-taking from the world and does not yield a free-floating self, but pushes the individual back into the world and the community (G2, 395/344), as a member of his generation (G2, 508/436), as Abraham had to come back to Sarah and, having journeyed to Mount Moriah, return and sit down with her at the dinner table, 24 IN SEARCH OF A HERO respond to her and what she had to say. Without this ability to respond to the other, without responsibility so understood, there can be no authenticity.

This essence, however, gains clarity, rank and power if the leaders, first and foremost and at any time, are themselves led—led by the relentlessness of that spiritual mission that forces the destiny of the German people into the shape of its history (G16, 107/5). Striking is the use of words having to do with leading and being led. By its style, the address would seem to pay homage to the F¨uhrerprinzip. That style invites a certain mood—the call for some leader who would provide new orientation after the collapse of the old order was heard again and again in the years following World War One.

But where are we to look? In Being and Time this question remains unanswered. Its analysis of authenticity remains therefore dangerously incomplete. Due to its formal character Being and Time invites a resolve to be resolved, a readiness to choose one’s hero without assurance that this hero is indeed worthy to be chosen. The resolve to be resolved makes the individual vulnerable, opens him to attack and seizure, where such seizure promises deliverance from a freedom that has become too heavy to bear.

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