Download A Manual of Gothic Moldings: With Directions for Copying by Frederick Apthorp Paley PDF

By Frederick Apthorp Paley

Initially released in 1902. This quantity from the Cornell collage Library's print collections was once scanned on an APT BookScan and switched over to JPG 2000 structure via Kirtas applied sciences. All titles scanned conceal to hide and pages may well comprise marks notations and different marginalia found in the unique quantity.

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Extra resources for A Manual of Gothic Moldings: With Directions for Copying Them and for Determining Their Dates

Sample text

Magnificent both pure Decorated. are arch-mold from Fig. the doorway of St. 25 18 is a Clement's Church, Cambridge, showing the capitals of the two jambshafts. This the central but falls is not an easy example to copy by the eye, for member on the in each group does not extend to the angle, line of the chamfer. The observation of this circumstance immediately removes the principal This section illustrates a very which may be called the common triplicity of difficulty. peculiarity of its style, Whether moldings.

1 of the same Morcot Church, in the same county. arrangement is derived the double roll and member forms the central commonly an arch from Seaton Church, Rut- fig. 2, but occasionally double, as ; belfry arch of side. ordei's, of PL. XVIII. fig. 8, plate, the From fillet this which an arch-mold from the choir of Ripon Minster. In considering the origin of the cylindrical first roll or bowtell, the element of moldings, the influence of jamb-shafts must be taken into account. In Norman doorways every nook formed by the receding under-ribs, already described, detached column.

II. fig. 7, is an Early English molding from the of the chancel door, Cherry Hinton. fig. Fig, 12 would probably assume it Fig. 8 is interior a pier-arch, 6 the northern doorway of the same church. and 'Fig. 19 is a very fine molding from the inner door of the south porch. ) Fig. 9 both from Over. way a doorway, and is fig. These are Early Decorated. at Madingley, and fig. 13 a window-jamb, Fig. " —Brandon's Analysis, p. 50. any reference to THE GENERAL PRINCIPLES OF FORMATION. These bridge. magnificent both pure Decorated.

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